Life Style

Singing of hope and empathy, Lifestyle News & Top Stories

If 2017 has been a roller-coaster, and even an annus horribilis, for a few of you, here is wishing 2018 would sign a turn-around of destiny and circumstance.

And what’s higher than to begin the yr on a genial be aware with Jim James’ wondrous voice?

His newest is a covers album that comes seemingly from nowhere, like a capturing star in the course of the night time or a quick spell of magic.

Tribute To 2 is not showy, comparatively extra stripped-down than his work as a frontman of the Kentucky cosmic rockers My Morning Jacket.

A palate cleanser, it’s a follow-up to Tribute To, a covers EP of George Harrison songs, which in itself was an completely private quirk, recorded days after The Beatle’s passing in December 2001.

It feels opportune in a present local weather of polarising factions, particularly coming after his earlier solo outing, Eternally Even (2016), his most express response to post-election America.

The newest covers album is a trans-Atlantic sojourn by means of style and time, lobbying for hope and empathy when the tendency is to divide.



    Jim James


    four stars

James addresses this in The World Is Falling Down, initially sung in 1991 by African-American jazz singer and civil rights advocate Abbey Lincoln.

“There are some folks I used to know/Who used to smile and say hello/And spin the world and turn the page,” he sings with a tinge of wistfulness, voice reverberating by means of house because the guitar strums.

This is echoed by a telling opener, I Just Wasn’t Made For These Times, the Beach Boys basic from 1966’s Pet Sounds, which James turns right into a psychedelic soul ballad, an inter-generation dialogue between misfits.

“I keep looking for a place to fit/Where I can speak my mind/I’ve been trying hard to find the people/That I won’t leave behind,” he sings, because the strings swell over a pattern of Isaac Hayes’ 166 model of Jimmy Webb’s By The Time I Get To Phoenix.

He achieves one other delicate subversion in his model of Sonny & Cher’s Baby Don’t Go, taking over each female and male elements, a transfer resonant in these post-Harvey Weinstein instances when gender expectations are being probed and redefined.

Even when instances are dangerous, he seeks communion in a honky-tonk model of Bob Dylan’s I will Be Your Baby Tonight, a stripped-down revision of Emerson, Lake & Palmer’s prog-rock doozie Lucky Man, and a bewitching, gypsy-jazz tackle the Irvin Berlin’s commonplace Blue Skies.

As typical, it is his gravity-defying tenor that lends the proceedings an air of alien surprise.

Crying In The Chapel, a doo-wop 1950s basic variously coated by Elvis Presley and the Orioles, is reworked into a non-public confession in a cavern.

It’s poignant exactly as a result of it sounds hopeful. Such is the attractive, bountiful coronary heart of Jim James.

Tech News


Show More

Related Articles