Swiss city of Vevey enlivened by bold artwork pageant – in footage | Art and design

Sixty-one our bodies of labor by photographers and artists from 19 international locations are on show till 30 September. Each illustrates or explores the theme: Extravaganza – Out of the Ordinary.

The pageant is enlivened by the creative staging of its displays. Works of each established and rising photographers are displayed in an astonishing number of unconventional venues and areas.

Feu (au lac) by Philippe Durand.

Promenade irrationnelle by Philippe Ramette

A railway platform, a cellphone sales space, a church, a dilapidated store, even the waters of Lake Geneva serve to showcase the images.

Antonina Gugala: Photography Studios (5)

Photography studios, by Antonina Gugala.

Gugala’s undertaking exploring Warsaw’s portrait companies is put in adjoining to Vevey’s sole remaining, and soon-to-close, picture studio.

Platform, 1977 by Daido Moriyama

Magali Koenig, Courir après la pluie, Bishkek Kirghizistan, 2009 © Magali Koenig

Courir après la pluie, Bishkek, Kirghizistan, 2009, by Magali Koenig.

For Stefano Stoll, the pageant’s director, such theatricality helps encourage a broad public engagement with the work, which he insists have to be readily understandable. Furthermore, he hopes that the usage of areas across the city will add layers of which means to the images, whether or not these are playful, severe or ironic. Thus inserting of an airborne whale excessive above viewers’ heads, or pictures of the pages of Frank Sinatra’s phonebook on the within of a phonebooth, or footage of detention cells behind the bars of a former jail, provides to the expertise.

Sunday Sun, 1937 by Rodney Graham, on the facade of the Hotel des Trois Couronnes

Sunday Sun, on the facade of the Hotel des Trois Couronnes, 1937, by Rodney Graham.

Festival Images: Visual arts biennial of Vevey

Hi There by Henry Leutwyler (left), the pages from Frank Sinatra’s phone book are displayed in a phone booth

Hi There, by Henry Leutwyler (left), the pages from Frank Sinatra’s cellphone e-book, displayed on a cellphone sales space; Copying Claudia, by Pachi Santiago (proper).

EUSA, The Last Indian Wars, Brezno by Naomi Harris

I would also like to be - A work on jealousy by Jenny Rova

Firefly #Justin Winston (Angels in America, with Father), from the Fireflies series © Frédéric Nauczyciel

Six to see

Arnold Odermatt

Stans, 1973, exhibited on a facade in the Place de Gare

Stans, 1973, by Arnold Odermatt, exhibited on a facade within the Place de la Gare.

Arnold Odermattdocumented the each day lifetime of his colleagues within the Swiss police pressure for greater than 40 years. His work is positioned – not with out irony – alongside the busy fundamental thoroughfare by way of Vevey. While ready on the lights motorists can take a second to benefit from the work of a one-time chief of transport police.

Festival Images: Visual arts biennial of Vevey: Arnold Odermatt

Jun Ahn

Jun Ahn, Self Portrait NYC2011

Self Portrait, NYC 2011, by Jun Ahn, Courtesy Christophe Guye Galerie

Jun Ahn’s dizzying self-portraits on skyscrapers and window ledges present the artist pushing herself to a literal restrict. However she may seem, she says she isn’t with out concern. Ahn says: “Some media described me as a fearless artist, but I’m really not that. I really have a fear and this is about that fear and how the photography medium subverts the context of the fear.” Her work is put in within the Hôtel des Trois Couronnes, the place she seems poised on a window ledge, and perched on considered one of its balconies.

Festival Images: Visual arts biennial of Vevey: Jun Ahn

Jono Rotman

Mongrelism - Greco Notorious South Island RIP, MMVIII, displayed in Vevey’s Grande Place

Mongrelism – Greco Notorious South Island RIP, MMVIII, by Jono Rotman, displayed in Vevey’s Grande Place.

Jono Rotman’s unnerving portraits are of members of New Zealand’s Mongrel Mob, an notorious gang of predominantly Maori bikers. Over a 10-year interval Rotman established a relationship with them marked by belief and confidence. Their status for violence, adoption of nationalistic symbols, and certainly their look, assure their marginal standing in New Zealand. In Vevey their footage are on present within the bustling Grande Place, the guts of civic life.

Shano Rogue, Lifer MMX

Lorenzo Castore

From the series Ewa & Piotr, displayed in a former hardware shop

Castore’s work focuses on an aged girl and her brother, Ewa and Piotr, whom he befriended in Kraków. Though the 2 had been main remoted, lives in a run-down residence, even missing sizzling water, it emerged that they’d as soon as loved a rich upbringing. Castore juxtaposes his portraiture with earlier footage from Ewa’s personal assortment. They are displayed in an appropriately uncared for former store.

Pour les images de la série Ewa & Piotr

Erik Kessels

Group Show, inside Église Sainte-Claire

Erik Kessels, tireless champion of vernacular pictures, is exhibiting some 2,000 album covers inside Église Sainte-Claire. The sleeves all function pictures of huge choirs or bands, the extra members the merrier. A cacophonous multilayered choral soundtrack provides an other-worldy component.


Angélique Stehli

Angelique Stehli: Pink Cells, 2013/2017, installed behind bars in the town’s former prison

Pink Cells, 2013/2017, Angélique Stehli, put in behind bars within the city’s former jail.

Angélique Stehli’s arresting pictures of pink detention cells are themselves behind the bars of a former jail. According to sure psychological opinion the color pink has a chilled impact on these it surrounds, thus explaining its reputation in some Swiss detention centres.

Angélique Stehli, Pink Cells, 2013/2017

Festival Images runs till September 30th.

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