Stories of in-between areas and forgotten histories characteristic on the M1 Singapore Fringe Festival: Still Waters, which runs from Jan 16 to 27.
The works have been programmed in response to Suzann Victor’s 1997 efficiency, Still Waters (Between Estrangement And Reconciliation), by which the artist investigated artwork and public house by making a glass dam on the Singapore Art Museum.
The work was created in a drainage gutter on the Bras Basah Road artwork museum. The constructing is a gazetted nationwide monument and was retrofitted with a glass wall to regulate its inner local weather.
Glass panels had been put in within the drain so the house flanked by panels and museum wall may very well be stuffed with water, reversing the unique function of the drain.
Water thus represented the “unwanted”, simply as Victor’s work was carried out quickly after a 1994 ban on funding efficiency artwork (which was lifted after a decade).
Festival director Sean Tobin desires to attract consideration to this seminal work, which he thinks is commonly neglected. “It was also clear to me that the work still had a lot of relevance to important conversations about issues such as history, authority, alienation and exile. I felt this work could still speak to local and global experiences.”
Next 12 months marks the 15th version of the home-grown annual fringe competition, which is sponsored by telco M1 and organised below the aegis of native troupe The Necessary Stage. The 14th version held this January was impressed by Singaporean artist Amanda Heng’s 1999 efficiency in opposition to magnificence stereotypes, Let’s Walk, and included a re-creation by the artist herself.
Victor will communicate in regards to the work and her profession on Jan 12, forward of the competition.
BOOK IT / M1 SINGAPORE FRINGE FESTIVAL: STILL WATERS
WHERE: Various venues
WHEN: Jan 16 to 27 subsequent 12 months
ADMISSION: $15 to $27 from Sistic (name 6348-5555 or go to www.sistic.com.sg)
The 12 ticketed performances and exhibitions programmed for the competition reply to her concepts of uncovering the hidden and exploring in-between areas.
Other highlights embodySingaporean photographer Sean Cham’s exhibition This Is Where, held at chosen bus shelters, co-presented with outside advertiser JCDecaux. It options migrant employees in varied industries, together with building, alongside the noise panels and security limitations that conceal their work from Singaporeans. The exhibition is up from Dec 26 to Jan 29.
The Adventures Of Abhijeet, by native theatre group Patch And Punnet, makes a mythic journey of a migrant employee’s journey to Singapore and shall be carried out on Jan 20, below Fresh Fringe, the perimeter competition’s platform for brand new works and works-in-progress.
Also offered below Fresh Fringe is yesterday it rained salt, written by playwright and former Straits Times journalist Nabilah Said. It combines textual content, dance and efficiency within the story of an islander returning home. It is choreographed by Norhaizad Adam and offered by the Bhumi Collective on Jan 19.
Nabilah’s different work on the competition is new theatre manufacturing Angkat: A Definitive, Alternative, Reclaimed Narrative Of A Native. It tells the linked histories of mom and daughter, the primary coping with the loss of her life on an island, and the opposite battling identification. It is directed by Noor Effendy Ibrahim and runs from Jan 24 to 26.
The 33-year-old playwright says: “A couple of years ago, I started being conscious of Singapore as a mainland, a focal point where most things gravitate towards. It made me think about the hidden narratives that existed in the fringes, of the people who lived in the islands surrounding the mainland. I found that dynamic fascinating.”